Tiny Stories, Tiny Tales

Portland or The Power of a Tea Devotee

Portland Art Museum

I tossed my Tiny Travelogue to the side and succumbed to the pleasures of Portland, OR during my stay instead: roses, fountains in the parks, street food, Portland Art Museum, meeting new friends and catching up with a dear old ones, prowling through Powell’s Bookstore, riding the streetcars, and people watching all soaked up my days.

Portland surprised me with its impressive similarity to the Twin Cities back in Minnesota. Here were the same chill drivers, the same slower pace, the same type of architecture for single family houses, the same sort of river twisting through the middle of the city, and the same sort of friendliness. It was eerie—if weren’t for the backdrop of mountains, I could have sworn I was back in downtown Minneapolis or at other times, visiting my aunt’s neighborhood in St. Paul.

But Portland did deliver a note of randomness that the Twin Cities cannot encompass due its Midwest setting: Portland introduced me to the Power of True Tea Devotees. This came unexpected one morning when Jeff left early for a workshop and I ventured off to get breakfast on my own. I settled in at the hotel’s restaurant and ordered a pot of English Breakfast. The waiter brought my pot and gently inquired if I liked tea. I said I did and then he asked, “Loose leaf?” I replied, “Always.” He studied me for a second and then offered to bring out his own special brew of Zui Gui tea that he kept brewed in the back. I had no idea what Zui Gui tea was but I accepted. He hurried off and I wondered what I had gotten myself into but I enjoyed the idea of a hotel that allows its servers to keep their own special tea brews in the back.

He came back with a tiny pot and delicate glass cup. He poured the glass full and we breathed in the aroma together. It was a beautiful scent and I knew now I was committed. I was going to have to drink this cup—and I wasn’t entirely sure what that meant.

After we inhaled, he told me that Zui Gui Tea translates to Drunken Concubine Tea. It would help the heart meridian and settle any stress I was feeling. I studied his face after he said this. Was this man flirting (and if so, my god, this could be the number one way to flirt with a woman) or was he sharing the Power of a True Tea Devotee?

We talked in-between my meal and as he served other people. He told me about the different tea shops I could visit in Portland but emphasized one in particular called Fly Awake. It was a half an hour by bus from the hotel but it was well worth the visit. The owner would greet me when I’d arrive and inquire after my health. After I told the owner how I was doing, he would find the teas that would suite me best. And I would leave home with a taster of teas, all suited to my constitution.

I finished my breakfast and my Drunken Concubine Tea and thanked him for everything. He smiled and nodded; I left. I wasn’t entirely sure what had happened but one thing I knew for certain: Portland opened my eyes to the fact that I knew absolutely nothing about tea.

In the end, there wasn’t time enough to make it out to Fly Awake but the next time I get to Portland, that tea shop experience is at top of my list.

Stay Weird, Portland and may our Tea Adventures never end.

 

roses in Shemanski park, Portland, OR

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Out for a Walk with the Wind and Water

I love being alone in the park along the river. As soon as I step out of my car, I tell that I’m alone by the unusual silence stretching out in all directions. It’s a special sort of hush because instead of human voices dominating the space, it’s the gentle call of birds, animals, wind, and water that fill the air. These are much more gentle and quiet for they represent a continuation of a certain life on this planet, a life much older than humans.

I glow inwardly as I walk the park alone and for the first time in days, I smile to myself. Some Buddha statues wear slight smiles, the internal smile to the eternal world and as the memory of the statues comes back to me, the pleasure of connection causes me to relax even more.

When alone outdoors, I can relate to myself most fully and watch and listen with more mindfulness. I hear the birds first—the chickadees scolding one another and sounding like sweet, soft toy horns and then the cardinals, chirruping and checking up on one another. The sparrows hop and cheep in barren branches, never to be overlooked and always numerous.

Then comes the sound of water, lapping along the riverbank, rolling itself under the bridge.

The wind follows, shifting a blanket of leaves across my path and swaying tree branches overhead. The evergreens branches issue a soft shirrrrr-ing sound as the wind passes through. They retain a green elegance while everything else is brown, stripped down bare.

After I have heard the squirrels cracking walnuts and rustling through the dried weeds, and after I have seen the wind ruffling the river’s top, then finally, I can hear myself. That sound is very low and deep and it takes me a little while to hear it, after the delight of hearing everything else. But it is there and it inevitably opens up what I need to know that day whether it be comfort, direction, an answer, a question, or all of it. It has taken my whole life to hear myself and I have paid a great price for it but I would do it again in a heartbeat. For when a woman has herself, the nightmares slip away back into the inky, black darkness and living life is hers.

And so the wind moves through the evergreens, it plays along the water, and dives between the feathers of the birds. It touches my face and we walk together, two entities atop this impossible blue planet.

Ouroboros in the Park

Japanese anemone flowers open blush pink petals in the park.  Their tall, delicate stems hold up the tender flowers, and in the centers glow tiny pistil-laden suns. Furry carpenter bees buzz in a frenzy, adoring the tiny suns. Like all true worshipers, they circle round and round the yellow centers, smearing themselves in joy and pollen.

I also circle a center, but the object of my adoration is the park itself. As the path guides me around and around, my body, full of the usual tensions and distresses, takes the cue, finds the beat and the measure and walks to it.

The English Romantic Poets of the early 19th century were great walkers and believed that walking was essential to writing to poetry. With the body busy, the mind can walk freely, investing in its visions and tunneling down into what were previously subterranean thoughts.

This small park is my open field, my verdure, my ramble through hill and dale. My feet move on, sometimes slowing to a near pause, other times hurrying, suddenly propelled by a new and vivid notion.

About the fifth time around, a sort of mesmerism occurs and I fall under the trance of the day. The circle becomes a mantra uttered by my feet—knees, hips, shoulders, and arms follow along and we head down the path. I must walk, I must keep walking, I must continue to walk and the resolution becomes a reassurance as a cool breeze fills my lungs; I am alive and refreshed.

I pass under the oaks and dodge their falling acorns. Sometimes I entertain the notion that squirrels are hurling them, but when I catch sight of their small triangular faces they look as startled as me. It is the oaks themselves that are throwing the acorns down. I momentarily consider bringing an umbrella, opening it when I walk under the oaks, but this an old consideration that I’ve been contemplating for years of autumns and I’ve never acted on it. Instead, I dodge and the squirrels stare hard.

Finally I have to go but the revolutions and bees in the park stay with me even after I leave, continuing  with their wheeling. They pass through the days and nights, rapturous and serene, monotonous some days and a miracle on others, and on most days both. They exist in the circle that is sometimes opened, sometimes closed. Within the circle, everything changes and nothing changes each time we pass through.

 

Kazuaki Tanahashi, Miracle at Each Moment