Tiny Stories, Tiny Tales

What the Hell are you doing, Pa? OR Top 10 Influential Life Books

 

Sometime ago, I was tagged to answer What are your 10 Top Influential Books? Now that’s a serious list and I needed time to mull it over. The moment came last night when I was in bed with insomnia, tossing and turning and trying to quiet my mind. I didn’t succeed in quieting it down but I did feel the glow of satisfaction in coming up with 10 books and authors I cannot live without. Here they are, mostly in order.

  1. Beloved by Toni Morrison. I read this book three times before I finally understood anything in it. And what I did comprehend changed my life. And it keeps changing my life. Paradise by Morrison is another that does the same.
  2. The Story Girl by L.M. Montgomery. This was the first novel I read (age 11) where the gift of storytelling was viewed as life’s highest honor. Its set among children on a family farm and is still my favorite escape read.
  3. Violence by James Gilligan. I read this when I had a semester abroad at Oregon Extension many years ago. I reread it this year when I was full of grief and anguish over the shooting of Mike Brown in Ferguson, and all the others who fall to police violence that we sometimes hear about and sometimes do not. This book aided me in understanding the rampant violence in our society and how our justice system fails to truly address or prevent violence. Violence is our national tragedy and the legacy we must address and heal.
  4. Age of Innocence by Edith Wharton. This is a favorite book for so many reasons. Wharton’s critical gaze never flinches or falls aside. While she was a product of her time (unfortunately), she was also a sharp critic, superb writer, and craftsman. Her prose is some of the best—like drinking a biting cool drink in a crystal glass.
  5. Little House series by Laura Ingalls Wilder. This is a hard one to admit. I tried to reread the Little House a few years ago and was floored by the strong libertarian tones and blatant insanity of Pa. Uh, illegally dragging your family full of little children into another nation’s land so you can bag better game? Your whole family nearly dying from malaria and no one noticing because you’re all alone (in a land you have no right to) and it’s better that way? Wrong, Pa. So wrong. But anyway, I read these books obsessively as a kid and I will say, they’re all about women getting through bad times and being tough. Every girl needs to read about other women surviving bad situations. I learned about survival early on, thanks to Wilder.
  6. Agatha Christie. The Murder of Roger Ackyrod was the first mystery I ever read (I was 12). And I’ve been obsessed with Christie ever since. I still read her for pleasure but I love to take her plots and paragraphs apart. No one has a character to leave a room and a new one enter as smoothly as Christie. The reader never notices it happening. Christie’s a workhorse and a cunning master.
  7. Love Medicine by Louise Erdrich. Her novel opened up a whole new way of writing and viewing the world. People can be terrifying and awful but still be magical.  Love Medicine haunts me.
  8. Middlemarch by George Eliot. Eliot’s love for her creation spills out in every sentence of this book. I read her for courage and compassion.
  9. The Chronicles of Narnia by C.S. Lewis. Another writer I struggle with as an adult. But every time I write a new story, I can hear Lucy stepping into the wardrobe, brushing past the fur coats, and into a new world. Much of my desire to tell magical stories comes from him.
  10. Pride and Prejudice by Jane Austen. In a fit of thirteen year old boredom, I opened my mother’s lime-green college copy of P&P. I burst out laughing when Mr. Bennett wryly and verbally tangoed with his wife. And that was just the first page.  I couldn’t stop reading and I’ve been laughing and taking notes from Austen ever since.

 

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Out for a Walk with the Wind and Water

I love being alone in the park along the river. As soon as I step out of my car, I tell that I’m alone by the unusual silence stretching out in all directions. It’s a special sort of hush because instead of human voices dominating the space, it’s the gentle call of birds, animals, wind, and water that fill the air. These are much more gentle and quiet for they represent a continuation of a certain life on this planet, a life much older than humans.

I glow inwardly as I walk the park alone and for the first time in days, I smile to myself. Some Buddha statues wear slight smiles, the internal smile to the eternal world and as the memory of the statues comes back to me, the pleasure of connection causes me to relax even more.

When alone outdoors, I can relate to myself most fully and watch and listen with more mindfulness. I hear the birds first—the chickadees scolding one another and sounding like sweet, soft toy horns and then the cardinals, chirruping and checking up on one another. The sparrows hop and cheep in barren branches, never to be overlooked and always numerous.

Then comes the sound of water, lapping along the riverbank, rolling itself under the bridge.

The wind follows, shifting a blanket of leaves across my path and swaying tree branches overhead. The evergreens branches issue a soft shirrrrr-ing sound as the wind passes through. They retain a green elegance while everything else is brown, stripped down bare.

After I have heard the squirrels cracking walnuts and rustling through the dried weeds, and after I have seen the wind ruffling the river’s top, then finally, I can hear myself. That sound is very low and deep and it takes me a little while to hear it, after the delight of hearing everything else. But it is there and it inevitably opens up what I need to know that day whether it be comfort, direction, an answer, a question, or all of it. It has taken my whole life to hear myself and I have paid a great price for it but I would do it again in a heartbeat. For when a woman has herself, the nightmares slip away back into the inky, black darkness and living life is hers.

And so the wind moves through the evergreens, it plays along the water, and dives between the feathers of the birds. It touches my face and we walk together, two entities atop this impossible blue planet.

Ouroboros in the Park

Japanese anemone flowers open blush pink petals in the park.  Their tall, delicate stems hold up the tender flowers, and in the centers glow tiny pistil-laden suns. Furry carpenter bees buzz in a frenzy, adoring the tiny suns. Like all true worshipers, they circle round and round the yellow centers, smearing themselves in joy and pollen.

I also circle a center, but the object of my adoration is the park itself. As the path guides me around and around, my body, full of the usual tensions and distresses, takes the cue, finds the beat and the measure and walks to it.

The English Romantic Poets of the early 19th century were great walkers and believed that walking was essential to writing to poetry. With the body busy, the mind can walk freely, investing in its visions and tunneling down into what were previously subterranean thoughts.

This small park is my open field, my verdure, my ramble through hill and dale. My feet move on, sometimes slowing to a near pause, other times hurrying, suddenly propelled by a new and vivid notion.

About the fifth time around, a sort of mesmerism occurs and I fall under the trance of the day. The circle becomes a mantra uttered by my feet—knees, hips, shoulders, and arms follow along and we head down the path. I must walk, I must keep walking, I must continue to walk and the resolution becomes a reassurance as a cool breeze fills my lungs; I am alive and refreshed.

I pass under the oaks and dodge their falling acorns. Sometimes I entertain the notion that squirrels are hurling them, but when I catch sight of their small triangular faces they look as startled as me. It is the oaks themselves that are throwing the acorns down. I momentarily consider bringing an umbrella, opening it when I walk under the oaks, but this an old consideration that I’ve been contemplating for years of autumns and I’ve never acted on it. Instead, I dodge and the squirrels stare hard.

Finally I have to go but the revolutions and bees in the park stay with me even after I leave, continuing  with their wheeling. They pass through the days and nights, rapturous and serene, monotonous some days and a miracle on others, and on most days both. They exist in the circle that is sometimes opened, sometimes closed. Within the circle, everything changes and nothing changes each time we pass through.

 

Kazuaki Tanahashi, Miracle at Each Moment