Tiny Stories, Tiny Tales

Persephone’s Fruit Part 2

 

(picture by melissa taing)

 

This is a continuation of Persephone’s Fruit

Whether forced or implored by her husband, Persephone ate the pomegranate seeds. Her fate was sealed. She would spend time with her mother, Demeter, in the Overworld for two-thirds of the year but since she ate fruit from the Underworld, the other third must be spent in Elysium.

The word pomegranate comes from the Medieval Latin pōmum “apple” and grānātum “seeded.” When she took the fruit in Elsyium (or “apple land”), she ate a byproduct of the land and became irrevocably joined. One telling of her story relates how she was starving and finally gave into her hunger. Another that Hades forced the seeds into her mouth against her will.  Whatever reason she ate those seeds, the result was the same. She was now connected to the land of the Underworld.

Persephone became a woman of dual nature. Not only was she the daughter of Demeter but she was now Queen of the Underworld. Another name for her as the Queen is “Despoina”, or the Mistress. She welcomes the new souls of the dead, nourishes them with food and lights the way.  She is a guide and a leader in a bewildering time. She assists many, including Orpheus, Hercules, Odyssus and Psyche on their adventures and labors. The Kore (or maiden) of an earlier time is now a gracious woman, comforting and aiding the distraught, showing them where to go and providing sustenance. She passes from darkness to light, joining her mother on the fruitful Earth above and then diving back down to provide life in death.

 

During this season, I had the special delight of coming across a flaming red oak. Three oaks stood in a circle, each a different shade of red. One oak, in particular, gave out a breath-taking living flickering red. I found it hard to look away, hard to continue on my walk without looking back. If trees have spirits, then this one had decided, for just this season, to reveal her own, urging the other two to do just the same. They responded though not with as much vulnerability as she did.

The glorious red leaves are gone now, stripped from the treetops by rain and wind but I saw for just that day. I saw that tree and I saw the other two because of the one. If a Queen was passing, through my town and through the park, there would be no better herald than the red oak flickering under lead grey skies. And I choose to believe, before the mundanity of logic sets in, that a Queen, leaving her sunlit realms for darker climes, passed through my yard and out the other on her descent down. The pomegranate, seeded apple, resting on my kitchen counter, tells me it could just be true, after all. Possibly. Maybe.

 

flamingoak

 

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How to Get Through a Big Book

How to get through a Big Book and have a little fun too.

  1. Make and eat food mentioned in the book (big books always include food, usually in meticulous detail).
  2. Read a little bit each day.
  3. Make a soundtrack.
  4. Dress like a character from the book for a day. Or a week. Or a month if it really grabs you.
  5. Ten minutes to kill? Daydream about the landscape or what the characters are seeing as they move through their day.
  6. Read passages you enjoy out loud. If you’re in the right mood, record yourself reading passages and share it (Instagram is great for this). Include illustrations if you like (thank you, Shirin).
  7. Whip out a highlighter or some sticky tabs for those great parts.
  8. Pace yourself and remember, reading gigantic books isn’t a race. It’s about the journey. Might as well bring along snacks, good drinks, great lighting, and enjoy the ride.

How to Search for Story Settings

A big city not far from mine has a casino. I’ve heard a few stories from friends that have worked there. Most center on being treated badly by a customer and revenging themselves by throwing the customer’s car keys into the Fox River. Karma is enacted on a regular basis at the casino.

There’s something about that river, flowing by, murky green during the day and black at night, a bottomless pit for car keys.

The river divides the city in half, east to west. The Fox flows along the old warehouses, limestone and brick, built back when the city had manufacturing plants and industry. Now the warehouses sit sturdy and silent, crumbling ever so slowly. Their roofs are flat and give the illusion of brick walls running straight into the sky. Some were built like prosaic wedding cakes, higher and higher, until the final topping is small square with tiny windows. Industry has never been about aesthetic needs and wants.  And yet by some miracle, these old turn of the century warehouses have achieved it just the same.

I observed the warehouses from the back deck of the riverside café, clutching my cup of earl grey and wishing I had put sunscreen on. It was the first time I had ever been to this café and I came because I needed a new setting for a fiction story I was working on. None of the cafes I remembered from the past were working for me. I needed this kind of café, one that hung out in an old manufacturing city where there wasn’t much industry left. There was, at least, a casino and many local businesses and this café hung on, here at the water’s edge.

A little further up was the casino where my friends had thrown those keys into the water. From my point on the deck, I could see the grimy metallic white heel of the building jutting out. Another friend told me that he goes there regularly to play black jack. It relieves stress and earns a little extra cash for his family.

The wind picks up a little and despite the sun, it’s chilly. Spring plays these tricks on us.

There is no sign of life in the warehouses all around me. We’re all boxed in together and the light plays off their empty windows, open and blank to the sun. I sip some tea and play “Over the Hills and Far Away” by Led Zeppelin just to see if this café will work for my story. It only takes a few bars of listening to the song and I know that this place is perfect. This spot on the river is perfect for many stories. It’s  been perfect for all the stories I know nothing about and the ones that I’ve caught the smallest glimpses of.

A mallard suns himself in the weeds that line the water’s edge. The river moves fast and sure and I turn off the music. No need to for further noise. The song is already there.