Tiny Stories, Tiny Tales

 

It’s snowing. So beautifully. Winter brings a harshness, a steel edged beauty hallowing all it touches. Tiny little birds hop about in the snow, prancing on the deck and driving the two indoor cats mad. The birds’ feet make patterns of lace on the snow. I’ve spent many a happy minute meditating on their miniature prints. And I’ve heard it from trackers that it’s possible to differentiate bird tracks. The key is watching the bird make the tracks and note every behavior while they do so. Were they nervous when they made the tracks? Hungry? Hopeful? You’ll only know these answers if you give yourself over to fully observing the bird. Eventually, as you mindfully observe and take notes, the tracks begin to lay out a story about how the bird felt and what goal it was pursuing while it was hopping around. The observed bird’s tracks will become familiar as the palm of your hand and just as the lines and scars on your hand reveal your life, so will the bird tracks will reveal their tiny secret life.

When I first learned about the ability to track and the resulting possibility to enter the thoughts and feelings of an utterly different life form, I was staggered. I still am. But what really made me sit up and blink was the great feeling of familiarity the new concept brought. “Of course, I can enter their world. Of course, this is the way to do it. I knew this all along,” a deep spot in my soul declared. Of course! Of course! One of my absolute favorite abilities is observing and now I could take that power and use it to enter another world, both bird and animal.

The snow is here and it’s swung open a magical door, a gateway of animal tracks. It only takes a moment or two but it’s worthwhile to bend over a few tracks and study them. First, of course, is figuring out which animal made them. Many animal tracking books and online sites are available for this. From there the questions begin to branch out: what direction was the animal heading? What portion of the print is the heaviest and what does that mean? It’s by observing the animal and then their prints that the questions are truly answered.

I haven’t got to the point where I can tell what an animal is feeling or thinking from their prints or but every winter I take a little time to look at different tracks. The marvel and beauty of the prints calls me to the future promise of knowing. Great things are done in little steps and this may be the year I pull out a notebook, dedicated to juncos, the tiny snowbirds I especially adore and note my observations. Two black eyes: beady. One breast: white. One head, one back and two wings: dark grey, portions covered as if by a cloak. Eagerly looking for food, head swiveling this way and that.

And so the knowing begins.

 

Comments (1):

  1. Tina

    December 14, 2013 at 11:14 am

    Beautiful…simply beautiful.

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The Taste of Tea

A favorite film of mine, The Taste of Tea, centers on an eccentric family living in the Japanese countryside. They spend a great deal of time sitting outside, sipping tea and staring into space. They sit as a family, alone, or in a small group and no one talks. They just stare out into the deep green that is the summer. And then they get up and go on walks or go off to work.

The first time I watched The Taste of Tea, I was shaken and delighted that the film gave space and respect to one of my favorite pastimes: sipping tea and staring into space.

When spring grew warm enough, I was inspired by the film to sit outside and stare into my backyard in the early morning. The Taste of Tea had given me a sort of permission to leave stress behind and take this time for one of my deepest desires: to enjoy and contemplate nature while sipping tea.

I named my new practice “Sipping Tea and Watching the Grass Grow.” I felt ridiculous whenever I mentioned it to anyone but that hardly mattered. I was doing what I loved so much, watching plants grow, watching the birds and small animals moving through it all, and sky glowing blue and serene over us all.

 

Grass grows slowly, imperceptibly but after each rain, it leaps up by inches. The violets came in May and they lasted for weeks. After that the dandelions bloomed and I lost a little bit of my heart to them. The wind picked up their seeds and sent the white fluffs floating into the air in sweet, downy clouds. After that, small wild strawberries, glowing like fierce red gems, appeared in the lawn. Now at the end of June, a luxurious, emerald green covers nearly everything. It reaches up from the ground, covering fences and stones or it high overhead, green leaves moving in tall, imperceptible breezes.

 

The heat has settled in so now even in the mornings, I pour sweat while drinking my tea. On some mornings the birds are noisy and busy and on other days they are not. Sometimes a great big bumblebee comes tumbling along, droning in that low, hazy buzz as it investigates every surface and flower. And then sometimes it does not come. Some days the clouds are like fluffs of cotton, other days there isn’t a cloud in sight. Each day brings a new configuration, nature is never still. I watch it all and at other times, I close my eyes and listen to my breathing. I’m not alone, never alone, a part of a whole.

A Tale of Two Worlds

I walk past a window on my way to get a glass of water and note the snow falling outside.  As I fill my glass at the sink, my thoughts have already turned back to my work on the computer. I’m wrestling with the household budget, when I’ll fit some reading in, how to get on with my writing work, when I’ll exercise, when I’ll catch up with email correspondence and the list goes on and on.

Anytime I stop my work and look up, past the chatter in my mind, the snow catches me off guard as if it’s the first time I’m seeing it. I debate whether I can put off the grocery store to avoid driving in the snow.

This is the world of the everyday. It’s full of a thousand petty cares, some essential to living, others not as much but all in a lump group, tugging us along.

But there are times my mind needs something more refreshing, and it’s time to take a break. And that’s where music comes in—as powerful as Circe creating a circle of magic with her staff. I pick out music without words (or words I don’t understand). Today is Rimsky-Korsakov, tomorrow might be the film Phantom Thread’s soundtrack, or a piece of jazz played by Lucky Thompson.

As Rimsky-Korsakov’s The Snow Maiden starts, the circle opens. I come out of the everyday world and enter somewhere extraordinary, where beauty converges with life and cares and worries exit for a time. And all it takes is a little music, a little snow, and entering the moment that is now.

I watch the snow falling, noting the wind direction as the snow blows southeast and then drops and then exhales again southwards. I note the density of the snow, how it’s light and sparkling and then downy, heavy, and wet.  My thoughts finally still and I turn off the music. A heavy relief passes over my body and mind and I am still, watching the beauty of the world.