Tiny Stories, Tiny Tales

Winter Wonderland

It’s hard to know how to take the loss of winter. Most people are happy and congratulate each other on it. They smile on twitter and face book, crowing over the warmth and the lack of snow. And I, twisted this way and that, sorrow in my heart. I miss the bright red of the cardinals in the snowy bushes or the dear plump grey caped juncos hopping in and out of the tracks my husband and I leave in the snow after we fill the feeders. I miss the intense cold of winter, when it’s so cold that no one is out and when I go to the river, each sound is crystal clear. The downy woodpeckers sound off as do the chickadees and I listen to breaks of ice in the river as it hardens and forms and floats. Winter is cold and it’s bitter but it has a blue beauty of all it’s own and I miss it.

Due to winter not being here, I can take walks everyday in my jeans and my tennis shoes. It’s a little cold but not bad as long as I take a quick pace. Everything is brown and olive. The trees are. The goldfinches are. The big windmill overlooking the park is. People bike furiously past me every day. They’re mostly men and mostly frown. Biking seems hard work even without snow.

The days pass and they are easy on all of us. The temperature hangs around forty and it makes so much easier for grocery shopping, visiting with friends, eating out. It is a world held in suspension. I haven’t been able to smell the snow yet. I haven’t shoveled and I haven’t marveled at the sculptures snow and ice make. Life is easier but it’s loss is the toothy edge that Nature always brings. I hope this easy winter makes life lighter for the birds and squirrels and other wild things but I worry about the turtles and frogs coming up too soon believing it is spring and then losing them to the deep winter that may come still.
I haven’t had to fight in this winter, where I grow cold constantly, where I just want to sleep forever. Missing winter is like missing a great cold god. Sure, they’re mean, sure they try to kill you but hey, they’re mysterious and beautiful and as it happens, you aren’t starving and you can get through the experience of this god with relative ease as long as you drive safe on the roads.

This crownless god crawls in at night however. Every night, the temperature plummets to the teens and when I rise in the morning, everything is sheeted in the handiwork of the winter kingdom. The car’s windows are scrolled in feathers and diamonds and the grass snaps white in the bright sun. I gaze from without and gaze and gaze. Maybe there’s hope the god will come back. Maybe we’ll get to see the dazzling change we see every year and complain about. I want to complain about it. I need to complain about the cold and then have it take my breath away with it’s sharp hard beauty.

The sun is setting now in shades of orange and apricot, setting where I can’t see it, I only see the afterglow. One more day to go and then the weatherman says, the Artic cold will come in and all this warmth and dryness will pass away. So when that happens, I’ll head out with a shovel and salute the glorious day. Winter is coming after all. We get to see it at least for this year, I dearly hope.

 

Comments (1):

  1. Cindi

    January 10, 2012 at 11:36 pm

    Beautiful way of describing your feelings about it, Catherine. I too, have always loved the colors of winter, the stark contrasts found in snow. The bluish/purple shadows to the yellow/orange glow of reflected light from a setting sun. Then to see the dark brown leafless limbs reach up into a bright pink & orange horizon where it fades back to deep blue. It amazes me every year when I see it. I try to photograph it but of course, my attempts don’t do it justice. I’ve always felt it was a gift to us, the beauty. But I was surprised this year to not miss it, at least yet. I was glad Doug didn’t have to be out in it, shoveling, etc. & was glad I didn’t have to be cautious when walking on ice. And it’s been so nice to open doors and have the fresh air come in but still be warm. But just this afternoon as I was thinking about it, I wondered if there are important things lost when winter doesn’t come. Then I remembered a few winters where the winter came in late but we had LOTS of snow when it did. Thanks for sharing. I really enjoy reading what you write.

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I Have Wine and Moon and Flowers: Reading Su Tung-P’o During a Pandemic

As we watch spring growth overtake last year’s dead bracken and grasses, there is both consolation and brutality. This year’s greenery melds with disease: the emergence of flowers entangles with the blossoming of a pandemic.

While the novel coronavirus rages through communities, our lives have shrunk down to fit the small rooms and little neighborhoods that we must now be still in. What do we do in this diminished space? What do we see?

 

6th Moon, 27th Sun: Sipping Wine at Lake-View Tower

 

1

 

Black clouds, soaring ink, nearly blot out these mountains.

White raindrops, skipping pearls, skitter wildly into the boat,

 

Then wind comes across furling earth, scatters them away,

And below Lake-View Tower, lakewater suddenly turns to sky.

 

2

 

Setting animals loose—fish and turtles—I’m an exile out here,

but no one owns waterlilies everywhere blooming, blooming.

 

This lake pillow mountains, starts them glancing up and down,

And my breezy boat wander free, drifts with an aimless moon.

 

Su Tung-P’o (trans. David Hinton)

 

As the great poet Su Tung-P’o knew so well, we see our own natures in everything. The outside world becomes a reflection of our own states; though if we can still ourselves enough as we gaze out, a depth opens and time becomes immaterial.

A master of reflection and stillness, Su Tung-P’o 苏童 lived nearly one thousand years ago and is considered one of great poets of the Song Dynasty. He led a brilliant and varied career as poet, politician, writer, calligrapher, painter and aesthetic theorist. Due to his outspoken and opposing views on the government, he was jailed and sent into exile on three separate occasions.

After his experience in jail and subsequent exile, his poetry evolved and deepen and his surviving work reflect his delicate, painful relationship with loneliness and desolation.

 

Moon, Flowers, Man

 

I raise my cup and invite

The moon to come down from the

Sky.  I hope she will accept

Me. I raise my cup and ask

The branches, heavy with flowers,

To drink with me.  I wish them

Long life and promise never

To pick them.  In company

With the moon and the flowers,

I get drunk, and none of us

Ever worries about good

Or bad.  How many people

Can comprehend our joy? I

Have wine and moon and flowers.

Who else do I want for drinking companions?

(trans. Kenneth Rexroth)

 

To help alleviate the sufferings of a difficult life, he became the devotee of Zen Buddhism and his poetics reflects the practice of the “beginner’s mind,” the ability to meet each experience with equilibrium and a “spontaneous and crystalline responsiveness.”

 

At Seven-Mile Rapids

 

A light boat one loan leaf,

a startled swan two oars—

 

water and sky are pure clarity

reflecting deep. Waves smooth,

 

fish roil this duckweed mirror

and egrets dot misty shorelines.

 

We breeze past sandy streams,

frostfall streams cold,

moonlit streams aglow.

 

ridge above ridge like a painting,

bend beyond bend like a screen.

 

Here I think back to

Yen Tzu-ling’s empty old age,

 

lord and recluse one dream.

Renown’s empty then as now,

 

just mountains stretching away:

cloud mountains erratic,

dawn mountains green.

 

Out of his poetry emerges a beautiful balance, the ability to look at both joy and sorrow with gentle tranquility and wry amusement.

 

At Brahma-Heaven Monastery, Rhymed with a Short Poem of Crystalline Beauty by the Monk Acumen-Hoard

 

You can only hear a bell out beyond the mist:

the monastery deep in mist is lost to sight.

 

Straw sandals wet with the dew of grasses,

a recluse wanders. Never coming to rest,

 

he’s simply an echo of mountaintop moon—

light coming and going night after night.

 

(trans. David Hinton)

 

Su Tung-P’o’s poetry illuminates the beauty and loneliness running throughout ourselves and Nature. His work becomes a sort of map for this strange new world we find ourselves in: isolated yet surrounded, weary but still observing, cut off but yet deeply involved.

 

After T’ao Ch’ien’s “Drinking Wine”

 

3

 

This little boat of mine, truly a lone leaf,

and beneath it, the sound of dark swells:

 

I keep paddling in the depths of night, drunk,

pleasures of home, bed, and desk forgotten.

 

At dawn, when I ask about the road ahead,

I’ve already past a thousand ridges rising

 

beyond ridges. O where am I going here,

this Way forever leaving ever returning?

 

Never arriving, what can we understand,

and always leaving, what’s left to explain?

 

(trans. David Hinton)

 

Tides of Snow and Ice

This winter has been a continuous series of freezes and thaws: it’s the warmest winter on record, the tenth one in a row. A more usual winter starts with a deep freeze and then stays cold for months. Instead, snow falls, piles up and vanishes; rises up again and retreats, now falling as rain, swelling rivers and creeks. Rain and snow mingle together until everything runs with water; hillsides and flat-sides are coated in a deep, dark mud.

I stopped on my walk today, halted by a sudden flash of gold. The sunset rays were falling into a tiny puddle spanning the space between the root and trunk of a maple. The puddle reflected gold and silver on top and below was dark mud, black and brown, full of microorganisms and other tiny creatures unseen by the human eye. I briefly considered putting my hand to the shining surface. It beckoned, winking like a diamond, but pull of my walk was irresistible and I continued forward. 

Mud is for March and April, mud so thick and heavy that it can pull shoes off and make them disappear like a magic trick beneath the solemn and still brown. Mud in February is a strange slight, an awakening that shouldn’t be occurring yet. It’s all the more cruel because even though the temperatures rise, they inevitably dip into the single digits and everything freezes solid. Many times I’ve spotted squirrels and tiny birds on the creek’s ice, searching for openings to drink from.

During this particular thaw, the creek casts off ice, it’s center opening like a dark cut. The water sings as it cascades over the rocks, proclaiming it’s momentarily relief from the grip of winter. In Scandinavian folklore, there is a belief that given the proper offerings, a creek could teach a human how to play the most bewitching music. I crouch down near the creek, record a video of it singing on my phone and replay its music in the evening while lying on the couch. I should give something in return for the pleasure of its song and I consider. Perhaps some lavender buds I have stored away for a certain recipe, or a small pinecone I keep on a shelf to admire, or birch bark I retrieved from a favorite tree cut down years ago. 

The next day I return, and after waiting for a few dogs and their owners to pass by, I crouch next the side of the creek and sprinkle lavender buds into the small, clear stream. The buds vanish as soon as I drop them into the water– as if they never existed. I drop some more in and the same occurs; they’re gone before I can blink. The current flows by, washing over stones, fleeting by banks of mud, until it vanishes around the bend where the pine trees tower overhead.

As I gaze at the water, first downstream and then upstream, my own self quiets, stills, and momentarily dissolves into the landscape. The relief, though short, is palpable. Alone becomes together and perhaps that is what’s this practice of thanking the creek has been about all along.