Tiny Stories, Tiny Tales

Jane Eyre, a cold day in spring

What struck me at once about Jane Eyre was her incredible refusal to throw her self on the altar of anyone’s desire or command. She cannot do it for Mrs. Reed, she decides not to for Mr. Rochester despite the terrible pain it gives her and she manages to resist St. John Rivers though he is terribly persistent and believes God is on his side- the scariest of all people, I find. At each turn, she remains distinctly herself and at the end of book, she respects all her decisions and is ashamed of none, though others still might think ill of her for those choices.
I can’t imagine there were any heroines like this on the book scene at that time. Charlotte Bronte lived off in her own world, not in the literary scene but in a wonderful and vivid fantasy world built by her and her siblings. She did eventually shrug off this dazzling world of huge, intense sagas but she came up with things like “Jane Eyre” instead and “Villette,” which weren’t very far in their internal, psychological worlds of her earlier writing.
So “Jane Eyre” came seemingly out of nowhere, bursting onto the public world and being rather scandalous as a result. It’s only 20 years later that “The American Woman’s Home” got written by Catharine Beecher and Harriet Beecher Stowe. This a book full of the pleas and then commands women to live the life of self denial and self sacrifice. Someone must perform self sacrifice so the rest of the family can lead a good life! Throw yourself on the altar of this good and consuming act! Christ will reward you! It’s all very bone-chilling.
One of my favorite authors L.M Montgomery took tremendous refuge in reading “Jane Eyre”- which she did over and over and it’s not surprising. In one of her series, Emily of New Moon, there’s many links of spirit and description between Emily and Jane. And one wonders if not for Jane Eyre, would there have been an Anne as well?
And so while Jane Eyre threw the reader forward to a strong female protagonist full of her own resolve and will, Mrs. Rochester propels the reader back. This is not humane treatment of an insane person. And of course, the insane person does deserve that treatment. Hmmm…where have I heard that before? “She made me do it!” Tsk, tsk, Mr. Rochester.
Anyway, this is such an awesome read and I want to read it all over again now that I’m done. It’s a world that’s dark, gloomy, awesome and gothic. It wrestles with views on God and how to lead a good life where the self is not sacrificed.  Nothing else I can ask for!

Comments (2):

  1. Merry F.

    March 17, 2011 at 12:43 pm

    Indeed, I have found that there are many connections between L.M. Montgomery’s writing and Bronte’s. The sheer number of references made… Diana is one of St. John’s sisters in Jane Eyre, and Diana is Anne’s best friend in Anne of Green Gables. One of Anne’s friends in Anne’s House of Dreams has a dog named Carlo; the same name of St. John’s dog. Both Anne and Emily are orphans, just like Jane; and in Emily of New Moon, Dean Priest places a flower in an old copy of “Jane Eyre” that he has, and a verse from the song Mr. Rochester sings to Jane is quoted. These are just a few of the many similarities I have found. Coincidence? Apparently not!

  2. Catherine

    March 17, 2011 at 1:00 pm

    I never made the Diana and Carlo connections! So thank you. What you pointed is rather wonderful. I do love the instances in LMM’s journals where she mentions reading “Jane Eyre” time and time again. That book struck a tremendously deep chord in her as I believe it did a great many women then and certainly now.

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The Taste of Tea

A favorite film of mine, The Taste of Tea, centers on an eccentric family living in the Japanese countryside. They spend a great deal of time sitting outside, sipping tea and staring into space. They sit as a family, alone, or in a small group and no one talks. They just stare out into the deep green that is the summer. And then they get up and go on walks or go off to work.

The first time I watched The Taste of Tea, I was shaken and delighted that the film gave space and respect to one of my favorite pastimes: sipping tea and staring into space.

When spring grew warm enough, I was inspired by the film to sit outside and stare into my backyard in the early morning. The Taste of Tea had given me a sort of permission to leave stress behind and take this time for one of my deepest desires: to enjoy and contemplate nature while sipping tea.

I named my new practice “Sipping Tea and Watching the Grass Grow.” I felt ridiculous whenever I mentioned it to anyone but that hardly mattered. I was doing what I loved so much, watching plants grow, watching the birds and small animals moving through it all, and sky glowing blue and serene over us all.

 

Grass grows slowly, imperceptibly but after each rain, it leaps up by inches. The violets came in May and they lasted for weeks. After that the dandelions bloomed and I lost a little bit of my heart to them. The wind picked up their seeds and sent the white fluffs floating into the air in sweet, downy clouds. After that, small wild strawberries, glowing like fierce red gems, appeared in the lawn. Now at the end of June, a luxurious, emerald green covers nearly everything. It reaches up from the ground, covering fences and stones or it high overhead, green leaves moving in tall, imperceptible breezes.

 

The heat has settled in so now even in the mornings, I pour sweat while drinking my tea. On some mornings the birds are noisy and busy and on other days they are not. Sometimes a great big bumblebee comes tumbling along, droning in that low, hazy buzz as it investigates every surface and flower. And then sometimes it does not come. Some days the clouds are like fluffs of cotton, other days there isn’t a cloud in sight. Each day brings a new configuration, nature is never still. I watch it all and at other times, I close my eyes and listen to my breathing. I’m not alone, never alone, a part of a whole.

A Tale of Two Worlds

I walk past a window on my way to get a glass of water and note the snow falling outside.  As I fill my glass at the sink, my thoughts have already turned back to my work on the computer. I’m wrestling with the household budget, when I’ll fit some reading in, how to get on with my writing work, when I’ll exercise, when I’ll catch up with email correspondence and the list goes on and on.

Anytime I stop my work and look up, past the chatter in my mind, the snow catches me off guard as if it’s the first time I’m seeing it. I debate whether I can put off the grocery store to avoid driving in the snow.

This is the world of the everyday. It’s full of a thousand petty cares, some essential to living, others not as much but all in a lump group, tugging us along.

But there are times my mind needs something more refreshing, and it’s time to take a break. And that’s where music comes in—as powerful as Circe creating a circle of magic with her staff. I pick out music without words (or words I don’t understand). Today is Rimsky-Korsakov, tomorrow might be the film Phantom Thread’s soundtrack, or a piece of jazz played by Lucky Thompson.

As Rimsky-Korsakov’s The Snow Maiden starts, the circle opens. I come out of the everyday world and enter somewhere extraordinary, where beauty converges with life and cares and worries exit for a time. And all it takes is a little music, a little snow, and entering the moment that is now.

I watch the snow falling, noting the wind direction as the snow blows southeast and then drops and then exhales again southwards. I note the density of the snow, how it’s light and sparkling and then downy, heavy, and wet.  My thoughts finally still and I turn off the music. A heavy relief passes over my body and mind and I am still, watching the beauty of the world.