Tiny Stories, Tiny Tales

My first steampunk novel!

“…and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.” This is excerpt from the back of the book “Soulless” by Gail Carriger and while all the “he’s so hot” adjectives left me cold, the idea of Queen Victoria employing a werewolf made me sit up straighter. What? Wwhhhaaaatwhoooooohooooowww?  What?Who?How? are the first questions for falling into true book love and I rushed out to buy myself a copy. I’m never one to resist falling for a book. My library and husband can both attest to this.
So I went and found and was thrilled to find that “Soulless” is only available in mass market paperback. Mass markets are smaller, cheaper and so easy to carry around and to hold while reading. I took my copy home and began and was surprised to find…
A strong, self-assured and cranky heroine. She joked and verbally clawed at everyone and my, how refreshing it was. Now there’s other things about this book too, like steam punk professors with special eyeglasses that clink through various lenses and copies of writing made with metal and the fact that the supernaturals like vampires and werewolves have all come out and have helped England become the mighty Victorian superpower that it was and all this is good and exciting…but what really got me was Alexia Tarabotti, soulless female extraordinaire. She bops ill-wishers with a weighty parasol and fights with her skirts and infinite petticoats so she may fight others. You try kicking someone hard with one of those huge Victorian dresses on and all the myriad of layers it cocooned the wearer in! Yes, exactly. The dress must be conquered so that the enemy may be.
She has a caustic tongue, lives with her family but does her best to not be in it and is lonely for companionship on so many levels. With someone like that, there’s bound to be adventures and there is. I hate to give away the plot so I won’t but it’s chock full of zany characters and lots of fun suppositions come to life.
There is only one thing about this book that I regret and that while it’s a fun and zippy read (dirigibles anyone?), I was hoping for a little bit more substance. There’s evil but it’s rather absurd and everyone’s rather mean for the most part but I wanted something nuanced to chew on, be it morality or whatever. This is not that book, ah well. Still tho’, I’m ready to be on to the next!

Also…I find it odd this is my first steampunk novel…I dressed steampunk for years without even knowing it. And of course, I always feel pretty much at home while reading Victorian lit. hmmm.

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Out for a Walk with the Wind and Water

I love being alone in the park along the river. As soon as I step out of my car, I tell that I’m alone by the unusual silence stretching out in all directions. It’s a special sort of hush because instead of human voices dominating the space, it’s the gentle call of birds, animals, wind, and water that fill the air. These are much more gentle and quiet for they represent a continuation of a certain life on this planet, a life much older than humans.

I glow inwardly as I walk the park alone and for the first time in days, I smile to myself. Some Buddha statues wear slight smiles, the internal smile to the eternal world and as the memory of the statues comes back to me, the pleasure of connection causes me to relax even more.

When alone outdoors, I can relate to myself most fully and watch and listen with more mindfulness. I hear the birds first—the chickadees scolding one another and sounding like sweet, soft toy horns and then the cardinals, chirruping and checking up on one another. The sparrows hop and cheep in barren branches, never to be overlooked and always numerous.

Then comes the sound of water, lapping along the riverbank, rolling itself under the bridge.

The wind follows, shifting a blanket of leaves across my path and swaying tree branches overhead. The evergreens branches issue a soft shirrrrr-ing sound as the wind passes through. They retain a green elegance while everything else is brown, stripped down bare.

After I have heard the squirrels cracking walnuts and rustling through the dried weeds, and after I have seen the wind ruffling the river’s top, then finally, I can hear myself. That sound is very low and deep and it takes me a little while to hear it, after the delight of hearing everything else. But it is there and it inevitably opens up what I need to know that day whether it be comfort, direction, an answer, a question, or all of it. It has taken my whole life to hear myself and I have paid a great price for it but I would do it again in a heartbeat. For when a woman has herself, the nightmares slip away back into the inky, black darkness and living life is hers.

And so the wind moves through the evergreens, it plays along the water, and dives between the feathers of the birds. It touches my face and we walk together, two entities atop this impossible blue planet.

Ouroboros in the Park

Japanese anemone flowers open blush pink petals in the park.  Their tall, delicate stems hold up the tender flowers, and in the centers glow tiny pistil-laden suns. Furry carpenter bees buzz in a frenzy, adoring the tiny suns. Like all true worshipers, they circle round and round the yellow centers, smearing themselves in joy and pollen.

I also circle a center, but the object of my adoration is the park itself. As the path guides me around and around, my body, full of the usual tensions and distresses, takes the cue, finds the beat and the measure and walks to it.

The English Romantic Poets of the early 19th century were great walkers and believed that walking was essential to writing to poetry. With the body busy, the mind can walk freely, investing in its visions and tunneling down into what were previously subterranean thoughts.

This small park is my open field, my verdure, my ramble through hill and dale. My feet move on, sometimes slowing to a near pause, other times hurrying, suddenly propelled by a new and vivid notion.

About the fifth time around, a sort of mesmerism occurs and I fall under the trance of the day. The circle becomes a mantra uttered by my feet—knees, hips, shoulders, and arms follow along and we head down the path. I must walk, I must keep walking, I must continue to walk and the resolution becomes a reassurance as a cool breeze fills my lungs; I am alive and refreshed.

I pass under the oaks and dodge their falling acorns. Sometimes I entertain the notion that squirrels are hurling them, but when I catch sight of their small triangular faces they look as startled as me. It is the oaks themselves that are throwing the acorns down. I momentarily consider bringing an umbrella, opening it when I walk under the oaks, but this an old consideration that I’ve been contemplating for years of autumns and I’ve never acted on it. Instead, I dodge and the squirrels stare hard.

Finally I have to go but the revolutions and bees in the park stay with me even after I leave, continuing  with their wheeling. They pass through the days and nights, rapturous and serene, monotonous some days and a miracle on others, and on most days both. They exist in the circle that is sometimes opened, sometimes closed. Within the circle, everything changes and nothing changes each time we pass through.

 

Kazuaki Tanahashi, Miracle at Each Moment