Tiny Stories, Tiny Tales

hmmmm…for the last few months, something has been stirring in the depths of my mind. It is now finally coming to light…

About a month ago, I started watching two documentaries on the artist/eccentric Tasha Tudor. She is an children's book illustrator. She also…lives in a time of her own. You see, Tasha believes when she dies, she will go straight back to the 1830's. She lives her life then, as close as she can to the habits and conditions of the 1830's. She lived without running water or electricity for six years while raising four small children. Now she continues to spin her own wool, work her own looms. She gardens, she knits, she cooks on her wooden stove. She paints, she draws, makes dolls, makes clothes, makes cheese and butter and on and on. She's somewhere in her 90's now but somewhere in her 80's, she decided it was time to be interviewed and documented.

Her videos are called Take Peace! and Take Joy! and once I got them, I watched them. And then I watched them again. And again and over and over till it was a ritual.
I knew something was going on in the back of my brain as I watched these videos. I had no idea what it was but it was happening back there. Something very slow and very deep. At times, it was tough. I felt obsessed and a fanatic for watching these videos daily for I'd say, two months. I knew though, something was stirring. I was watching this woman really closely. And I mean closely. I was watching her do something. Something…but what was it?

And now, only a few days ago, it started to dawn on me. The idea was very slow at first but now it's spreading through. I was watching Tasha Tudor enjoy her work. And not just fun work but ALL work. Even the hard work, like weeding and lugging around buckets of manure. She enjoyed all of it. You could tell. She was 86, trotting around and glorying in the process. The process. She loved the process of work. She liked the outcome but she loved the process. That's why she had three million projects. She said, “I don't believe in hurry,” and you could tell. At 86, you don't hurry. You can't. And she doesn't. She meanders around, doing things, sauntering barefoot with her dogs tagging after her.

And then after that, I started noticing things. Kinda scary but they were adding up. I started noticing people enjoying their work. I even started READING about people in books who enjoyed their work. They enjoyed ironing. Not for the straight clothes in the end but for the ironing. The process of it. And this keeps happening everywhere I looked and look. People enjoying the process of work.

Well…I knitted my brows. I still knit my brows. It is dawning on me that work doesn't have to be the hell-land, spawn of despair ordeal I thought it out to be. That it always has been.
I have started to enjoy my writing. Believe it or not, I haven't enjoyed writing. I felt it was my vocation and that I could be good at it sometimes but there was no enjoyment there. I liked it when people liked it but otherwise…who the fuck cared? I didn't care for writing. I did it because I felt I had to. And that's still there, of course. But…but…there's a window now, isn't there? I read in “Art and Fear” (which probably started it all, really) that creating art isn't about the product. It's about the process. Enjoying the process. And that's what I have come to. And slowly but surely, I'm getting towards there. And the landscape inside of myself is getting wider. I hopped a fence and am walking into a bigger area. It's scarier than…well, it's damn scary but is it interesting. Not having the eye glued on the end perfection opens all sorts of places.
I keep hoping that sitting down to write will stop being so terrifying. That the love-hate relationship will end. It hasn't yet. But…somethings are beginning to open up. I need a few more keys, a few more steps in the process…

I've also been reading Richard Rohr who comments on the product-result drivenness of the West. The obsession with success and results. And then he goes on to say that prayer is not about results or success. It is not about product. It is about relationship. That also keyed me in…I thought…wait…work is a relationship. And relationships are not about the end project that leads to money and fame.
I have no idea, none whatesoever how I could ever pull apart perfect product from writing but I do know that I want something more. And that I intend to go straight towards it. Again, I have no idea but I intend to pursue this. This relationship. This joy in the process. Ending this fixation on the perfect end. And we'll see…

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Out for a Walk with the Wind and Water

I love being alone in the park along the river. As soon as I step out of my car, I tell that I’m alone by the unusual silence stretching out in all directions. It’s a special sort of hush because instead of human voices dominating the space, it’s the gentle call of birds, animals, wind, and water that fill the air. These are much more gentle and quiet for they represent a continuation of a certain life on this planet, a life much older than humans.

I glow inwardly as I walk the park alone and for the first time in days, I smile to myself. Some Buddha statues wear slight smiles, the internal smile to the eternal world and as the memory of the statues comes back to me, the pleasure of connection causes me to relax even more.

When alone outdoors, I can relate to myself most fully and watch and listen with more mindfulness. I hear the birds first—the chickadees scolding one another and sounding like sweet, soft toy horns and then the cardinals, chirruping and checking up on one another. The sparrows hop and cheep in barren branches, never to be overlooked and always numerous.

Then comes the sound of water, lapping along the riverbank, rolling itself under the bridge.

The wind follows, shifting a blanket of leaves across my path and swaying tree branches overhead. The evergreens branches issue a soft shirrrrr-ing sound as the wind passes through. They retain a green elegance while everything else is brown, stripped down bare.

After I have heard the squirrels cracking walnuts and rustling through the dried weeds, and after I have seen the wind ruffling the river’s top, then finally, I can hear myself. That sound is very low and deep and it takes me a little while to hear it, after the delight of hearing everything else. But it is there and it inevitably opens up what I need to know that day whether it be comfort, direction, an answer, a question, or all of it. It has taken my whole life to hear myself and I have paid a great price for it but I would do it again in a heartbeat. For when a woman has herself, the nightmares slip away back into the inky, black darkness and living life is hers.

And so the wind moves through the evergreens, it plays along the water, and dives between the feathers of the birds. It touches my face and we walk together, two entities atop this impossible blue planet.

Ouroboros in the Park

Japanese anemone flowers open blush pink petals in the park.  Their tall, delicate stems hold up the tender flowers, and in the centers glow tiny pistil-laden suns. Furry carpenter bees buzz in a frenzy, adoring the tiny suns. Like all true worshipers, they circle round and round the yellow centers, smearing themselves in joy and pollen.

I also circle a center, but the object of my adoration is the park itself. As the path guides me around and around, my body, full of the usual tensions and distresses, takes the cue, finds the beat and the measure and walks to it.

The English Romantic Poets of the early 19th century were great walkers and believed that walking was essential to writing to poetry. With the body busy, the mind can walk freely, investing in its visions and tunneling down into what were previously subterranean thoughts.

This small park is my open field, my verdure, my ramble through hill and dale. My feet move on, sometimes slowing to a near pause, other times hurrying, suddenly propelled by a new and vivid notion.

About the fifth time around, a sort of mesmerism occurs and I fall under the trance of the day. The circle becomes a mantra uttered by my feet—knees, hips, shoulders, and arms follow along and we head down the path. I must walk, I must keep walking, I must continue to walk and the resolution becomes a reassurance as a cool breeze fills my lungs; I am alive and refreshed.

I pass under the oaks and dodge their falling acorns. Sometimes I entertain the notion that squirrels are hurling them, but when I catch sight of their small triangular faces they look as startled as me. It is the oaks themselves that are throwing the acorns down. I momentarily consider bringing an umbrella, opening it when I walk under the oaks, but this an old consideration that I’ve been contemplating for years of autumns and I’ve never acted on it. Instead, I dodge and the squirrels stare hard.

Finally I have to go but the revolutions and bees in the park stay with me even after I leave, continuing  with their wheeling. They pass through the days and nights, rapturous and serene, monotonous some days and a miracle on others, and on most days both. They exist in the circle that is sometimes opened, sometimes closed. Within the circle, everything changes and nothing changes each time we pass through.

 

Kazuaki Tanahashi, Miracle at Each Moment