Tiny Stories, Tiny Tales

So, I got up this morning and in a fit of being inbetween six books and being bored with them all, I decided to peruse the book collection that sits on top of the dresser. There's a lot of books there. About a sixth of them got too high and too precarious and fell over one night. However, there's still a lot left. I'm afraid to think that they are mostly now books of my own choice that I've convinced Jeff to buy here and there at book sales and markdown shops and expensive retail stores. And as he's very bent on spoiling me, I've managed to gather many little books to our home.

Today I got up and after spending a grueling hour looking for a place to rent on the internet, I shambled over and picked up Saki.
Saki is someone I've being dying to read for years. He's very famous for his stories from the view point of a cat (since there's so many writers I've been dying to read for years, it takes me years to get around to picking them up. I have a very long list). The book I have are short stories picked out by Graham Greene- on more stories than just the cat one.
Here's a quote from the first short story:
Duchess: “When I was younger, boys of your age used to be nice and innocent.”
Reginald: “Now we are only nice. One must specialize in these days.”
Saki is something of a Wilde but there's something craftier going on with his words. He's very sneaky- it seems like a fierce intelligence is laying under a lazy exterior.
“Not that I ever indulge in despair about the Future; there always have been men who have gone about despairing of the Future, and when the Future arrives it says nice, superior things about their having acted according to their lights. It is dreadful to think that other people's grandchildren may one day rise and up and call one amiable.
There are moments when one sympathizes with Herod.”
I burst out laughing at that though I'm still confused on what he's exactly saying.
His last known words before blown up in a trench in France? “Put out that bloody cigarette.”

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Ouroboros in the Park

Japanese anemone flowers open blush pink petals in the park.  Their tall, delicate stems hold up the tender flowers, and in the centers glow tiny pistil-laden suns. Furry carpenter bees buzz in a frenzy, adoring the tiny suns. Like all true worshipers, they circle round and round the yellow centers, smearing themselves in joy and pollen.

I also circle a center, but the object of my adoration is the park itself. As the path guides me around and around, my body, full of the usual tensions and distresses, takes the cue, finds the beat and the measure and walks to it.

The English Romantic Poets of the early 19th century were great walkers and believed that walking was essential to writing to poetry. With the body busy, the mind can walk freely, investing in its visions and tunneling down into what were previously subterranean thoughts.

This small park is my open field, my verdure, my ramble through hill and dale. My feet move on, sometimes slowing to a near pause, other times hurrying, suddenly propelled by a new and vivid notion.

About the fifth time around, a sort of mesmerism occurs and I fall under the trance of the day. The circle becomes a mantra uttered by my feet—knees, hips, shoulders, and arms follow along and we head down the path. I must walk, I must keep walking, I must continue to walk and the resolution becomes a reassurance as a cool breeze fills my lungs; I am alive and refreshed.

I pass under the oaks and dodge their falling acorns. Sometimes I entertain the notion that squirrels are hurling them, but when I catch sight of their small triangular faces they look as startled as me. It is the oaks themselves that are throwing the acorns down. I momentarily consider bringing an umbrella, opening it when I walk under the oaks, but this an old consideration that I’ve been contemplating for years of autumns and I’ve never acted on it. Instead, I dodge and the squirrels stare hard.

Finally I have to go but the revolutions and bees in the park stay with me even after I leave, continuing  with their wheeling. They pass through the days and nights, rapturous and serene, monotonous some days and a miracle on others, and on most days both. They exist in the circle that is sometimes opened, sometimes closed. Within the circle, everything changes and nothing changes each time we pass through.

 

Kazuaki Tanahashi, Miracle at Each Moment

 

Pocket-Sized Photo Diary

There are small moments that must be filled. They open and expand while waiting in doctors’ and dentists’ offices; in long, slow moving grocery check-out lines; or in those few, empty moments before leaving the house or office for another destination. Staring into space is my favorite pastime and generally fills up all the minutes given (and much more), but there are other waiting times when my spirit needs a gentle pick-me-up without doing much conscious work.

That’s when I open the Photo Album on my phone and start scrolling. I discovered this delight quite by accident while lounging in my therapist’s waiting room one afternoon. I was feeling flattened by living with PTSD and other health issues, and I wanted muster up a little hope before I went into my session. So in a despondent, weary way, I opened up the photo album app. To my surprise, I was greeted by pictures of flowers, landscapes and book excerpts that I had busily taken days ago and had already forgotten. I scrolled back farther and it was much the same, mixed with pictures of friends, family, pets, and friendly dogs I had met on my walks.

I discovered my photo diary which had been my pocket all this time. “I never travel without my diary,” Oscar Wilde wrote. “One should always have something sensational to read in the train.” It still holds true; nothing is so interesting as what we took notice of days ago, weeks and months ago, be it written in a journal or snapped with a viewfinder.

As days spin into weeks, months, and years, it is hard to catch hold of any kind of underlining rhythm or purpose. A photo diary offers a kind of consolation. There’s nothing sublime there, it simply marks changing seasons, interests, travels, and friendship. But perhaps on the difficult days where everything is too much including our own thoughts, a photo diary is a moment of gentle release. The lightness of ephemerality eases the heavy load of living.

 

“But life itself is short, and so you are terribly agitated by everything that is eternal.”

–Eileen Chang, On Music